Hello little sad, neglected blog! Life has been a bit busy of late but I have been crocheting away on a number of secret projects, all of which will be revealed in due course. I have started my post today with the handsome Mr Tom who lives in Tel Aviv and is the proud owner of the first celestine crochet star I ever made. I have made four of these now which are owned by various small children: Tom, Arlo, Iris and Greta. I put a rattle inside made from the plastic capsule inside a Kinder egg and some lentils.
I made my most recent one for my gorgeous new niece Greta. We have just spent the weekend together so I have had a lot of blissful newborn cuddles. I have made the previous ones from self patterning merino which made for a lovely result. For this one I thought that I had found the perfect project for the Noro yarn that I bought some months ago and has proved a tricky customer with other projects. Firstly, it does this….twisty, twisty.
It is also really slubby and varies widely in thickness so the results are fairly knobbly and uneven. The colours are lovely though, so I persisted with the knobblyness. The star is made from 12 points that are joined as you go, it looks complicated but it really isn’t.
The finished article is a rather strangely shaped sea creature but the colours work well and I don’t think that Greta minds a few uneven bits. I will probably go back to my trusty merino next time but maybe I have made enough of these stars now.
As I was rushing to a meeting in Cirencester last week I passed a really lovely looking wool shop in the aptly named Woolmarket shopping arcade. I managed to resist the temptation until after the meeting but I was just forced into a quick visit. It was Three Sheep Wools and if you happen to be passing it is well worth a look.
The woman in the shop was so helpful and excited about what I was planning to make that I was even more compelled to buy something and as a chilly wind was blowing a spring shawl/scarf was on my mind.
I bought this stunning peacock blue silk merino blend produced by a women’s cooperative in Uruguay. The label even has the name of the woman that made it and where she lives but unfortunately I can’t read the handwriting. I am very committed to ethical sourcing, fair-trade and initiatives that promote and support women in enterprise, so this ticks a lot of boxes for me. It is also gorgeous and absolutely my colour. Have a look at the Manos Del Uruguay website to see how the yarns are produced, I think it is really interesting to know where my yarn is from.
Anyway, provenance aside, this is what I made:
It is the South Bay Shawlette which is a free pattern on Ravelry. I have made these before and I like the pattern which looks quite intricate but is actually very easy. I did a simple border because I am a simple girl and I added a small bit of embellishment in the form of two circles on each corner.
If, like me, you are a keen knitter or crocheter you will probably have balked at the price of yarn, especially real wool, cotton or bamboo. The sad reality is that it is much cheaper to buy a jumper than it is to make one and you get none of the pleasure and beauty of a handmade garment. Unravelling a charity shop or boot sale jumper can save you a considerable amount of money and is also making good use of available, recycled materials.
Find your jumper – Charity shops and car boot sales are good sources of cheap jumpers. Look for real wool and cotton although don’t dismiss manmade fibres, they can be gorgeous and are worth saving from landfill where they will never degrade. Look for a chunky knit; many jumpers (to suit our centrally heated homes and offices) are machine knitted using very fine yarn which is difficult to unravel and fiddly to reuse. When buying wool check that the jumper hasn’t been felted when washed, you will never be able to unravel it. These are some jumpers that I have gleaned from various sources, mostly free:
This jumper cost £1 from a car boot sale; it is a snuggly wool/mohair blend. The pattern will mean that I will have some wastage but this still a good candidate for unravelling. I do have pangs of guilt about unravelling wearable garments but I also love making things and don’t want to buy expensive, energy intensive virgin materials. Check the seams – You want a jumper that has Good Seams.
Don’t despair though if your jumper has Bad Seams. It can be felted in the washing machine and sewn into sturdy bags, cushion covers etc. Sometimes you will be caught out with a Bad Seam somewhere in your jumper where you didn’t expect it, usually on the shoulders! Don’t worry, you might waste a bit of yarn but it can still be unravelled.
Remove all buttons, zips and labels – make sure you unpick all the threads because they can make your life difficult later on. On the jumper I have chosen I also had to unpick the deeper purple pattern but as it was hand-sewn it came out easily.
Find your joining thread
To undo this stitching start from the loop end (right to left in this picture), cut the thread, pull through to the back and it should unravel obligingly and quickly! It takes some practice but it is worth persevering because otherwise you have to snip all the threads making it much more time consuming and increasing the chance of snipping through the yarn you are trying to salvage. If you pull apart the seam you can see the joining thread and the loose end to pull. At this point you can choose to snip the threads if it is proving difficult to pull out the stitches.
Start taking apart the jumper – you can do this any way you like but I usually start with the side seams then the sleeves and the collar. In this jumper I found Bad Seams at the shoulders so I just snipped them off which will waste a bit but can’t be helped. The purple stripes in this jumper were just knotted on to the grey so when I got to these I just snipped them and rejoined the grey with a knot. Start unravelling –the fun bit! This is the sleeve. Start at the shoulder and find the end of the yarn. You might have to make a snip but it should make itself clear. Most jumpers are knitted from bottom to top and to unravel you go backwards (top to bottom). If you are struggling to unravel turn it around and try the other end.
At this stage some people wash and hang their wool in skeins to get all the kinks out. I personally think that this is too much of a palaver and I just want to get on with making something. The kinks do relax and the results in the finished article are good enough for me. If you are planning to store your balls of yarn for some time it may be worth using a wool winder which winds balls loosely and again prevents the yarn from losing its elasticity. With a wool winder you can also make balls that don’t roll about on the floor when you are knitting up your garment. I solve this by putting my balls in a heavy jar on the floor next to me: simple and time saving! My balls of wool ready for my next project. In total I have salvaged 350g of yarn. With good quality yarn retailing at around £4-£8 per 50g I have saved £27-£55 and avoided the energy, land use, water and toxins associated with manufacturing new wool. It is also a treat to have some mohair because I would never buy it new due to animal welfare issues. Time to get to work on my project!
It’s a story for another day but we are currently building an extension to my parents house for our little family to live in. In the process we had to move the Welsh linen press which is one of the only antiques that we inherited from my grandmother (Mamgu to me) and which came originally from the family farm in the stunning Preseli Hills. Carefully stashed inside and rarely disturbed are boxes of wonderful photos of severe, black-clad welsh baptists in their sunday best and other precious things from a forgotten time including a hand-stitched baptismal gown, fine lawn handkerchiefs and…her box of unfinished crochet. Mamgu was a fine knitter and crocheter and made classic crochet lace table cloths, doilies and edged her best cotton pillow cases. I remember the table cloth vividly, it was always placed over the polished oak dining table and removed at meal times.
There is something very poignant about a craft item left unfinished. I don’t know what she was making but it looks like the centre of a doily or motif for a table runner or table cloth. It is also incredibly fine work in very fine mercerised cotton thread. I can’t imagine having the patience for anything so delicate. I often find similar doilies and antimacassars in charity shops in unloved fusty piles; the amount of skill and love that went into them long forgotten. She did try to teach me crochet once, I was probably about nine and I got as far as making a chain. I think that, although I was a keen sewer and cross-stitcher at that age, I didn’t really understand the point of crochet. After all, who wants to make old ladies doilies, and what is a doily for anyway? It took me more than 20 years to pick up a hook again and I like to think that she would have been proud of me. I don’t think I will ever make a doily though, I still don’t really know what they are for. Perhaps they have been reincarnated in the recent fashion for crochet mandalas, surely these are colourful, decorative doilies for our post-colonial times.